The Lost Dancer
2010
Ballet (orchestra)
20 mn
• Première audition (under the title Where Am I Not Where You Are) : 29/04/2010 (gala evening), 22/05/2010 (first public performance), David H. Koch Theater, New York (USA) – New York City Ballet, New York City Ballet Orchestra, Fayçal Karoui (cond.), Benjamin Millepied (choreography), Santiago Calatrava (stage set).
• Scoring: 3.2.3.2 – 4.3.3.1 – timp., 2 perc., harp, piano – strings.
• Publisher: Gérard Billaudot.
The idea, initially, was to explore a ball room, at first empty, then gradually filling with memories of dances which return and disappear. A succession of fragments of frenzied waltzes, fiery tangos, quasi ritual discos, interspersed by periods of dreams, all of which is stylized and intermingled, right up to a finale where the whirling dances mingle in a world of magic.
Thierry Escaich
- Après l’Aurore
- Cérémonial
- Choral’s Dream
- Comme l’écho d’une fantaisie
- Ground I
- Ground II
- Ground III
- Ground IV
- Ground V
- Ground VI
- Lettres mêlées
- Introït à l’Office des ténèbres
- Le Bal
- Psalmodie à l’Office des ténèbres
- Scènes de bal
- Scènes d’enfant au crépuscule
- Short Stories
- Sopra la Folia
- Spring’s Dance
- Tango virtuoso (arr. for clarinets)
- Tango virtuoso
- Tanz-Fantasie trp & organ
- Tanz-Fantasie trp & piano
- Trio américain (“Suppliques”)
- Trois Intermezzi
- Variations gothiques
- Concerto for Clarinet and Orchestra
- Concerto for Organ No. 1
- Concerto for Organ No. 2
- Concerto for Violin and Orchestra
- Concerto for Violin, Oboe and Orchestra
- Concerto for Cello and Orchestra
- Élégie
- Fantaisie concertante
- La Nuit des Chants (Concerto for viola)
- Le Chant des ténèbres (clar. & strings)
- Le Chant des ténèbres (solo sax & 12 sax)
- Miroir d’ombres
- Quatre Visages du temps (Concerto for Organ No. 3)
- Résurgences
- Scherzo fantasque