Quatrième Esquisse (“Le Cri des abîmes”)
6 mn 30 s
• World premiere: 4/09/1994, final round of the Chartres International Organ Competition.
• Publisher: Alphonse Leduc.
• Commissioned by the Drac-Région Centre for the Chartres International Organ Competition 1994.
• CD “Escaich joue Escaich” (works for voices & organ) (Calliope 9937).
• CD “Esquisses” (Calliope 1205).
Esquisse IV, “Le Cri de l’abîme”
(4th Sketch, “The Shout of the Abyss”)
This is probably the most violent work of this selection of pieces. It recalls the vehemence of certain improvisations. The work leaves the impression of a constant seething, with paroxysmal flashes here and there.
In actual fact, apart from a Gregorian chant, forcibly declaimed at the very beginning, the form of the piece consists of a sequence of two great progressions on the theme of the Gregorian hymn Pange lingua, with a short moment of respite in the middle of the piece. The first ascent, based on a rhythmic agent with irregular phrase structures, unfolds in a climate of conflict, in which various planes confront each other; the theme is treated exclusively in a rhythmic fashion. The second progression gradually takes up again the rhythmic agent that has been interrupted in the middle of the piece, but this time in a more regular manner. The result is a long and intense chromatic ascent, based on the low-pitched ostinato, to which is added a chord theme, again stemming from the Pange lingua.
The initial incantatory theme gradually settles in once more during this progression. The piece becomes more and more furious in character, finally reaching a paroxysmal conclusion.
Esquisse IV was commissioned for the final round of the Chartres International Organ Competition in 1994.
(Translation: mrp – Virginia Olivier)
- Aria (piano)
- Cantus I (cello)
- Cantus II (harp)
- Cantus III (oboe)
- City Lights (clarinet or saxophone)
- Étude flash-back (piano)
- Étude jazz (piano)
- Études baroques (piano)
- Études impressionnistes (piano)
- Jeux de doubles (piano)
- Les Litanies de l'ombre (piano)
- Lutte (saxophone)
- Nun komm (violin)
- Prélude et Fugue (accordion)
- Vers les cimes
- Après l’Aurore
- Capriccios (clarinet/accordion)
- Choral’s Dream
- Comme l’écho d’une fantaisie
- Dopo la Folia
- Ground I
- Ground II
- Ground III
- Ground IV
- Ground V
- Ground VI
- Introït à l’Office des ténèbres
- Le Bal
- Lettres mêlées
- Psalmodie à l’Office des ténèbres
- Scènes de bal
- Scènes d’enfant au crépuscule
- Short Stories
- Sopra la Folia
- Spring’s Dance
- Tango virtuoso (arr. for clarinets)
- Tango virtuoso
- Tanz-Fantasie trp & organ
- Tanz-Fantasie trp & piano
- Trio américain (“Suppliques”)
- Trois Intermezzi
- Variations gothiques
- Concerto for Clarinet and Orchestra
- Concerto for Guitar and String Orchestra
- Concerto for Flute and Orchestra
- Concerto for Organ No. 1
- Concerto for Organ No. 2
- Concerto for Violin and Orchestra
- Concerto for Violin, Oboe and Orchestra
- Concerto for Cello and Orchestra
- Fantaisie concertante
- La Nuit des Chants (Concerto for viola)
- Le Chant des ténèbres (clar. & strings)
- Le Chant des ténèbres (solo sax & 12 sax)
- Miroir d’ombres
- Quatre Visages du temps (Concerto for Organ No. 3)
- Scherzo fantasque