A unique figure in contemporary music
Composer, organist and improviser Thierry Escaich is a unique figure in contemporary music and one of the most important French composers of his generation. The three elements of Escaich’s artistry are inseparable, allowing him to express himself as a performer, creator and collaborator in a wide range of settings.
Escaich composes in many genres and forms, always exploring new sound horizons. His catalogue numbers over 100 works which, with their lyrical, rich harmonies and rhythmic energy, have attracted a wide audience. Drawing from the French line of composition of Ravel, Messiaen and Dutilleux, and imbued with references from contemporary, folk and spiritual music, the distinctive sound-world of Escaich’s music is anchored by an obsessive rhythmic drive and an overarching sense of architecture.
This very personal style encompasses both intimate works and large-scale pieces, such as Chaconne for orchestra; oratorio Le Dernier Évangile and a double concerto for violin and cello, Miroir d’Ombres. His first opera Claude, on a libretto by Robert Badinter after Victor Hugo's Claude Gueux, was premiered at the Opéra de Lyon in March 2013 to great acclaim. His most recent new works include a Viola Concerto for Antoine Tamestit commissioned by Netherlands Radio Philharmonic, and Organ Concerto No.3 which receives its European premiere by Escaich and Orchestre National de Lyon in November 2017.
Escaich has composed many works for the organ including solo works, three concerti and the symphonic poem La Barque Solaire for organ and orchestra. Escaich’s Organ Concerto No.1 has been performed by orchestras such as the Philadelphia Orchestra and the Orchestre National de Lyon, and was selected as a highlight of the organ concerto repertoire in Gramophone: “His concerto exploits the full sonic and colour ranges of orchestra and organ in this thrilling three-movement work, the second movement rising to an awe-inspiring climax only topped by the shattering coda of the finale.”
His works are performed by leading orchestras in Europe and North America and by musicians such as Lisa Batiashvili and François Leleux, Valery Gergiev, Lothar Zagrosek, Renaud and Gautier Capuçon, Emmanuelle Bertrand, Paul Meyer, John Mark Ainsley and the Quatuor Voce. Escaich has been Composer-in-Residence with the Orchestre National de Lyon, Orchestre National de Lille and the Paris Chamber Orchestra and his music has been honoured by four ‘Victoires de la Musique’ awards (2003, 2006, 2011 and 2017). Escaich continues to teach composition and improvisation at the Paris Conservatoire, where he himself studied and obtained eight ‘premiers prix’. In 2013 he received the honour of being appointed to the Académie des Beaux-Arts in Paris.
Thierry Escaich’s career as a composer is closely linked to his career as an organist, which has led him to be one of the ambassadors of the great French school of improvisation, in the wake of Maurice Duruflé, whom he succeeded as organist of Saint Étienne du Mont in Paris. He appears in recitals internationally, combining repertoire pieces with his own compositions and improvisations. His passion for cinema has led him to perform ‘cine-concerts’, improvised accompaniments on both the organ and piano for silent films such as Phantom of the Opera and Metropolis.
Highlights of the 2017/18 season include several performances of Escaich’s music at the Radio France Presences Festival, the world premiere of his Viola Concerto for Antoine Tamestit with Netherlands Radio Philharmonic and Stéphane Denève and the European Premiere of Organ Concerto No.3 with Escaich as soloist alongside the Orchestre National de Lyon and Leonard Slatkin in Lyon and at the Paris Philharmonie. He returns to the Paris Philharmonie for a cine-concert improvisation, which he will also perform at the Berliner Philharmonie and Rotterdam’s de Doelen. Elsewhere this season Escaich performs Saint-Saens Symphony No. 3 with Orchestre National de France/Emmanuel Krivine and has engagements with La Monnaie Symphony Orchestra, the Orchestra of the Mariinsky and Orchestre Philharmonique de Marseille; he performs in recital at Mariinsky Concert Hall and Stockholm Concert Hall among others.
Many of Escaich’s works have been recorded by Accord/Universal. Most recently the disc Baroque Song was released on Sony Classical to critical acclaim. His 2011 release Les Nuits hallucinées crowned his residence with the Orchestre National de Lyon, and received numerous distinctions, including a 'Choc de l’année' from Classica magazine as an outstanding release of the year.
Thierry Escaich is represented by Intermusica.
2017/18 season / 713 words. Not to be altered without permission.