La Ronde
2000
String quartet & piano
13 mn
• World premiere: 8/10/2000, abbaye d’Hautecombe (Savoie), Nuits romantiques du Lac du Bourget festival – Thierry Escaich (piano), Quatuor Ysaÿe.
• Publisher: Gérard Billaudot.
• Commissioned by the Nuits romantiques du Lac du Bourget.
• CD “Chorus” (Accord/Universal 476 1282)
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La Ronde was written after reading Arthur Schnitzler’s play by the same name. But it is perhaps the film adaptation made by Max Ophuls that the musical work seems closest to, going so far as borrowing the title-song (which has become famous) that runs through it, providing unity. Treated much more like a melodic memory than a real theme, this tune, sounding like a nostalgic, old-fashioned waltz, symbolises this fatal merry-go-round of amorous feelings that turns, forming and breaking up the couples it carries along in a darkly humorous fate, according to life’s torments.
If one wished to simplify the rather complex structure of the quintet—complex owing to the constant entanglement of thematic cells and different musical atmospheres—, one would say it is a rondo. The refrains would be these periods where one seems to recognise the tune of the merry-go-round in the high ringing of the piano’s broken arpeggios or the murmured melody of string harmonics. On the contrary, the episodes—constructed primarily like variations on the material provided by this tune—would be those passages that try to guide the piece towards utterly different musical atmospheres: a slightly whimsical scherzo in string pizzicati, a slow, almost ecstatic waltz at the centre of the piece, a restless final ostinato in which reminiscences of swirling waltzes seem to want to impose themselves in gusts. But, as was suggested by Schnitzler, these various periods inexorably emerge into dramatic climaxes where, this time, the nostalgic theme takes on tragic accents.
Thierry Escaich
Translated by John Tyler Tuttle
- Antiennes oubliées
- Après l'Aurore
- Choral's Dream
- Chorus
- Comme l’écho d’une fantaisie
- Ground I
- Ground II
- Ground III
- Ground IV
- Ground V
- Ground VI
- Introït à l’Office des ténèbres
- La Ronde
- Le Bal
- Lettres mêlées
- Magic Circus
- Psalmodie à l’Office des ténèbres
- Rhapsodie
- Scènes de bal
- Scènes d'enfant au crépuscule
- Sextet
- Sopra la Folia
- Spring’s Dance
- Tango virtuoso (arr. for clarinets)
- Tango virtuoso
- Tanz-Fantasie trp & organ
- Tanz-Fantasie trp & piano
- Trio américain (“Suppliques”)
- Trois Intermezzi
- Una storia
- Variations gothiques
- Concerto for Clarinet and Orchestra
- Concerto for Organ No. 1
- Concerto for Organ No. 2
- Concerto for Violin and Orchestra
- Concerto for Violin, Oboe and Orchestra
- Concerto for Cello and Orchestra
- Élégie
- Fantaisie concertante
- La Nuit des Chants (Concerto for viola)
- Le Chant des ténèbres (clar. & strings)
- Le Chant des ténèbres (solo sax & 12 sax)
- Miroir d’ombres
- Quatre Visages du temps (Concerto for Organ No. 3)
- Résurgences
- Scherzo fantasque